Josh Hutcherson, AnnaSophia Robb, Robert Patrick,
Zooey Deschanel. Walt Disney Pictures/ Walden Media.
Fantasy/Adventure. Written by Jeff Stockwell. Directed
by Gabor Csupo. 2/16/07
FILM SYNOPSIS: Based on the popular Newbery
Award-winning novel by Katerine Paterson, Bridge To
Terabithia is a fantasy/ adventure story of
friendship, family and the power of imagination from
the producers of The Chronicles Of Narnia: The Lion,
The Witch And The Wardrobe. Jess Aarons (Josh
Hutcherson) is an outsider at school and even in his
own family. Eleven-year-old Jess has trained all
summer to become the fastest kid in his middle school
class but his goal is unexpectedly thwarted by the new
girl in school, Leslie Burke (AnnaSophia Robb) who
competes in the "boys only" race and wins.
Despite their awkward introduction, the two
outsiders quickly become best friends. Leslie loves to
tell stories of fantasy and magic. Jess loves to draw,
but until he met Leslie it was something he kept to
himself. Leslie opens a new world of imagination for
Jess. Together they create the secret kingdom of
Terabithia, a magical place only accessible by
swinging on an old rope over a stream in the woods
near their homes. There, the friends rule the kingdom,
fight the Dark Master and his creatures and plot
against the school bullies.
REVIEW: The first great film of 2007, Bridge To
Terabithia is a creative parable for young and old.
Once again, Disney Studios and Walden Media have
combined their talents to offer a motion picture that
entertains while reestablishing the lost art of
parable telling.
Director Gabor Csupo (Rugrats Go Wild, The Wild
Thornberrys – the Movie) keeps the pacing lively and
involving while addressing subjects that range from
preteen angst to appreciating what and who you have.
Young Josh Hutcherson is introspective and sincere,
while AnnaSophia Robb, also effective in Because of
Winn-Dixie, lights up the screen with her smile and
visionary nature. As for the special effects, they
serve the story rather than domineer it. We get caught
up in the action without being diverted by its
technical magic.
Like most films that address mature precepts,
Bridge To Terabithia should not be mistaken for a
giddy kiddie matinee. It receives the PG rating
because of thematic elements that include bullying, a
parent unable to show affection, feelings of being
overshadowed and unloved, and the death of a friend.
The film contains some spooky imagery and the
narrative jolts us with the discovery that a main
character has suddenly died. On the service, these
subjects may seem dark, but these truisms concerning
fears and death may help young audience members cope
with similar concerns, while reminding us older
moviegoers to not let a good word go unsaid, a good
deed go undone.
At one point, Robb's character, unfamiliar with
church going, can't grasp the concept that God would
send a soul to Hell. Her young companions clumsily
attempt to explain the religious notion, while she
simply sees God as too busy creating and sharing the
wonders of nature to ever dwell on mankind's
disobedience.
I'm sure the scene will raise the eyebrow of many a
church deacon, but I thought the scene was wisely
handled in that it reminds us to teach little ones
about God's love. The concept of the Creator's justice
confuse even biblical scholars and probably should be
shared with one's progeny when they're a little nearer
the accountable age. After all, who would want their
six-yearold to say to a fatherless friend, "Your
daddy went to Hell because he didn't know Jesus"?
There are some scary imaginary forest creatures the
leads see as real, but these hostile beings serve as
symbolic metaphors that represent misconceptions and
unknowns. That may sound high-minded, but I believe
kids will associate these monsters with their own
fears and frustrations. That said, Mom or Dad should
be in attendance in order to reassure.
You'll hurt over the loss of the film's important
character, but you'll be uplifted by the lead's
journey of discovery. These mature elements may not
sit well with very little children, but I expect the
themes will draw out a robust discussion between
parent and older child during the drive home. And
isn't it fun when a film does that?
PG (there is some name-calling by bullying school
kids and by the lead's two teenage sisters; losing his
temper, the lead's gruff father utters expletives
several times; some bullying by school kids leads to a
punch in the face; our two young heroes are attacked
by imaginary menacing forest creatures; the kids
defend themselves with skill; a bully is seen with a
bloody nose).
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